Oñi Ocan: The Heart of Sweetness
It has been a pleasure to collaborate with my partner Courtney Desiree Morris, finally, on more big art things that put our heads and talents together. Below are shots from Oñi Ocan: The Heart of Sweetness, a multi-modal performance art piece she designed/directed and performed in. The multi-channel video piece and altar installation just went up at Yerba Buena Center for the Arts in San Francisco. Below are shots from the performance of the work at Berkeley Art Center. I did live sound and sound design in collaboration with sound artist/scholar SA Smythe.
Oñí Ocan: The Heart of Sweetness (dir. Courtney Desiree Morris, 2023)
live performance programmed for Rabbit Hole (exhibition feat. Courtney Desiree Morris)
Berkeley Art Center, Berkeley, California, USA
Curator: Adrianne Ramsey
all photos © Carla Hernández Ramírez
The Yoruba term oñí ocan is typically applied to initiates of Oshun, the orisha of rivers, freshwaters, sweetness, and everything that makes life worth living. Like all orisha she operates in duality: she is the divine embodiment of abundance, sensuality, fertility/pregnancy, wealth, pleasure and good fortune. She is also an orisha who has experienced grief, disappointment, abandonment, rejection, and loss. Because of this complexity, Oshun is known as a healer who works with honey and cool water to restore the body and bring mental clarity and self-awareness through the use of her mirror. She is also the patron orisha of sex workers and LGBT practitioners. Oñí Ocan is a multimedia performance ritual that focuses on the use of honey as a material and metaphysical healing modality, as well as a way to honor current and former sex workers and pleasure activists. It is composed of a five-channel experimental film as well as live performances of honey rituals.
The Honey Drippers (actors): Arianne Benford, Kendall Benford, Kiara Brown, Monica Canilao, Odaymar Cuesta Kruda, Rachel De Souza Bolden, Ashara Ekundayo, Dillon Gardner, Sura Hertzberg, Ignacia, Alie Jones, Aja Lenae, Janelle Luster, Sam McGinnis, Pi Palomo, Callan Porter-Romero, Kiara Sample, Savannah Shange, Annie Sprinkle, Undine, & Avery Zeus
Support for Oñí Ocan provided by: The Panta Rhea Foundation, The City of Berkeley, Yerba Buena Center for the Arts, & the Foundation for Contemporary Art
Film shot on location at Toro y Moi Studios in Oakland, California
Liver performance at the Berkeley Art Center in Berkeley, California
all photos © Carla Hernández Ramírez
Summer 2022
Happy belated summer solstice from the Bay Area. I am spending my days parenting, walking the flats and hills of the East Bay, trying to find clean water to my kid to swim, picking stone fruits (plums, loquats, apricots) which are just coming into season, and scoring two big pieces for PBS.
Antibalas continues to bring our new repertoire throughout Europe and North America this summer and we’ll be recording all this for a new album this fall or early next year. There’s a feature on us and our back catalogue in the recent Songlines Magazine June 2022 issue.
Hmm…what else. Reading Joan Didion “Salvador,” B.W. Higman “Jamaican Food”, working on some musical / nature prototypes and a big Fire Wedding collaboration at the end of this month with Earth Lab at UCSC, Annie Sprinkle, Beth Stephens, Guillermo Gomez-Peña, Courtney Desiree Morris and other artists.
Now back to the lab. Love to whoever’s reading this.
My kid and I making music at our friend’s desk.
Collab: Sopera de Yemaya with Courtney Desiree Morris
Three short films (and counting) with my favorite person on the planet, Courtney Desiree Morris. I do music and sound design (among other duties) on her ongoing series “Sopera de Yemaya” for the Gallery TBA21 in Madrid. Click the image below to view the series .
