Angelique Kidjo's REMAIN IN LIGHT: Album out 6/8/2018

Cover design: Kerry James Marshall

At the end of 2016, Angelique Kidjo asked me to compose and prepare horn arrangements for "Crosseyed and Painless" by Talking Heads.

I had grown up in the late 70s and early 80s listening to Talking Heads (thanks, MOM!!), recorded with David Byrne and St. Vincent a few years ago, and then served as the musical director for "The Music of David Byrne and Talking Heads" at Carnegie Hall in 2015, with Antibalas as the house band.

Little did I know that this would turn into doing horn arrangements for the entirety of Remain in Light, recording on the album with producer Jeff Bhasker, and touring the country and the world with Angelique, her band, amazing guest musicians (including David Byrne and Jerry Harrison of Talking Heads, Nona Hendryx of Labelle, Lionel Loueke, keyboardists Ray Angry and Jason Lindner), and of course, my brothers from the Antibalas horns.

We just finished up a run of shows on the West Coast, and the project will continue to travel the world and beyond after the release of the album on June 8, 2018.

Live at the Theatre at Ace Hotel, Downtown LA. 5/5/2018. Photo: Oz McGuire

For those who got a chance to see the show, THANK YOU!! For those who haven't, brace yourselves! It is powerful and poetic.

Misc Projects and Collaborations Summer 2017

Besides Antibalas stuff I have been doing a lot of writing and recording for the next Ocote Soul Sounds album.

In June I went to perform at the Bonnaroo Festival in Tennessee with Angelique Kidjo's Remain in Light project. It was hot, muggy, and intense. U2's bassist Adam Clayton was there on the side of the stage digging the show. This was a big nerd moment for me as the first concert I attended was the U2 Joshua Tree Tour at JFK Stadium, Philly in 1987. (That's Adam of U2 front left, Angélique Kidjo center stage and me on the far right with the big saxophone).

Last week I was at Studio G in Brooklyn with Lyrics Born, the Antibalas horns, and Grammy nominated producer Joel Hamilton recording a Lyrics Born's "Don't Change," for a special livestreamed session using the amazing gear that Universal Audio makes. You can watch the whole session below:

A few weeks before that I was at Good Child Studios in Brooklyn working with producer Lawson White and Balún, an amazing electro-acoustic band from Puerto Rico. They wrote a beautiful song that featured the Antibalas horns.

When I'm not driving or sitting in a van on the highway, I have been doing lots of vegetable gardening--tomatos, kale, peppers, salad greens, eggplant, herbs, flowers, apples) (pics forthcoming) and building out my studio on the side of a mountain in Appalachian Pennsylvania.

Benin

Members of the band including myself recently collaborated with students and teachers from CIAMO (International Center for Art and Music in Ouidah) and filmmaker Jon Fine and Sarah Dupont on a music + video project (still in progress) to promote methods of malaria prevention. Last year, malaria killed over 400,000 people on the African continent, so it remains a serious problem which destabilizes families and ruins lives and communities on a mass scale. The song and video outline the most effective steps that families can take to protect themselves: protect all members of your family, particularly children under 5, with a mosquito net from dusk until dawn, go to a community health clinic to get checked if you show symptoms.

I received a demo of a song recorded by Sim de Souza and his students at CIAMO last year. The melody and the lyrics - in French and Fon - were beautiful, the bridge, the verses, everything made sense. What we did was speed up the tempo, and suggest that they change the chorus from "We're afraid of you, malaria" to "We'll beat you, malaria". We wrote some horn lines, and tracked drums, bass, guitars, and horns in New York. Then, we sent the track to Angelique Kidjo, who recorded the verses on the song.

In late March, I as part of a four-person US-based crew, flew to Cotonou, Benin, to begin filming and recording the project. We spent our first night in Cotonou and a meeting at the US Embassy, where we met several partners from UNICEF, USAID and ISMA, the audiovisual college in Cotonou.